Rod Wave has found real success through his music. But one of his biggest investments has nothing to do with releasing an album. During a recent appearance on Club Shay Shay, the Florida rapper revealed that starting his own touring company, Mainstay Touring, has been his best financial move to date.
“That’s the most on paper value right now,” he told Shannon Sharpe. Mainstay Touring now presents Rod Wave’s Don’t Look Down Tour, which kicks off September 12 in Philadelphia. But the company is already growing beyond Rod Wave’s own shows.
He revealed that Mainstay also promoted Kanye West‘s concerts at SoFi Stadium in Los Angeles, an opportunity he earned by being transparent about how his business operates. “I showed them the insides of my business. And then I showed them what the plan was,” he said.
Rod Wave recalled a time when he was performing shows for $500. Along the way, he learned what worked, what didn’t, and what it actually takes to put together a successful tour. Now he’s using that knowledge to build something that generates revenue with or without him on stage.
The conversation around Black artists and ownership has been building for years. We’ve seen entertainers invest in real estate, fashion, spirits brands, and restaurants, using music money as a launching pad into other industries. But Rod Wave’s approach is different in an important way: he didn’t leave the industry that made him. He went deeper into it.
For many artists signed to record labels, making money from music is rarely as straightforward as having a hit song or a successful album. An artist can generate millions of streams, sell records, and help create significant revenue while still only receiving a fraction of what their work actually produces.
That reality has led many artists to speak openly about signing contracts early in their careers without fully understanding how much of their own success they would ever benefit from financially. There is a real difference between being the face of something profitable and actually having ownership in the business generating that profit.
Ownership is what closes that gap. It gives Black artists the ability to build something that can last beyond their careers, in an industry where success can be unpredictable and short-lived. An artist can sell out tours and generate millions without having much to show for it once the momentum slows. Ownership is what turns those earnings into something lasting.
Mainstay Touring is Rod Wave doing exactly that. He has built a company that can promote other artists’ shows, creating income streams that don’t require him to be the one performing. For Black artists thinking about generational wealth, that model matters. Instead of success beginning and ending with one career, ownership creates something that can keep moving and eventually be passed down.
That is what makes this investment bigger than one successful tour. Rod Wave took what he learned as an artist and used it to become an owner in the same industry. Mainstay Touring is the proof that ownership doesn’t always mean walking away from what made you. Sometimes it means going all the way in.


