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Tragedy recently hit the city of Baltimore. After being struck by an out-of-control cargo boat, the Francis Scott Key Bridge suffered a complete collapse, leading dozens of lives to be lost in the dead of night. Most who witnessed the tragedy unfold on social media reacted with compassion and heartbreak. But a few others watched the video of death and destruction and saw it as an opportunity to be blatantly racist against the City’s leaders. Particularly the Mayor of Baltimore, Brandon Scott. For the last week, online racists have used the term DEI (Didn’t Earn It) to describe both Mayor Scott and the other Black members of Baltimore’s government. Not only are these claims completely irrelevant to the freak accident that the City just suffered, but they are entirely untrue. In fact, we put together a list of Mayor Scott's accomplishments that prove that he’s more than earned his position as the leader of B-More. Won the 2020 Mayoral Election by an Overwhelming Majority Probably the most damaging fact to the notion that Mayor Scott “didn’t earn it” is the fact that he won the mayoral seat by a landslide. More than 70% of Baltimore residents voted for him in 2020. The runner-up in the election barely even cracked 20%. Even the most hardcore of 2020 election deniers would have to concede that a margin that large can’t be faked. Honestly, if winning the trust of a major city isn’t “earning it” then nothing is. One of the Youngest People Ever Elected to a Baltimore City Position After a stint of working as a liaison for then-City Council President and future Baltimore mayor Stephanie Rawlings Blake, Scott ran for and won the 2nd district city council seat. Making him one of the youngest people ever in Baltimore’s history to hold an elected office at the age of 27. He would eventually be elected to be City Council President by unanimous vote in 2019. Actually Defunded the Police and Managed to Make the City Safer During the political unrest of 2020, the term “Defund the police” was being used as a rallying cry for protesters. Some left-leaning politicians joined in the calls to cut police funding in a show of solidarity with their voter base. But when it came time to put words to action, most lawmakers back-peddled their statements. Brandon Scott, however, didn’t. Instead, he helped lead the charge in his city for $22 million of police budget cuts. Not only that, but since his mayoral election Baltimore has seen a significant drop in violent crime and is on track to hit a homicide low not seen in almost 10 years. Fighting Homelessness by Building Shelters and Making Homes Affordable Instead of focusing his efforts on clearing homeless camps or installing oddly shaped benches, Mayor Scott has dedicated city resources to housing those in need. Not only has the city introduced a $1 home program similar to Detroit’s, but the mayor himself has secured a deal for the city to buy two hotel buildings and repurpose them into large homeless shelters. Though both of these resolutions are early in development, they are the biggest moves to bolster housing that Baltimore has seen in years. Introduced the Equity Assessment Ordinance Bill in Baltimore During his time as a councilperson, Scott was instrumental in creating Baltimore’s Equity Assessment Program. The bill that led to the program’s creation outlines that all City agencies must analyze how every action they make affects marginalized groups (racial minorities, members of the LGBTQIA+ community, lower-class households, etc). It also codifies specific seats in City government with the responsibility of upholding the standards of the program. Scott not only supported this bill, but he also introduced it in the City council and saw it through to completion. Over the past 13 years, Brandon Scott has gone above and beyond to prove himself to the people of his city. He is not only qualified for the position he’s been elected for, but he’s utilizing his power to the fullest to better the lives of Baltimoreans. Outsiders claiming that he somehow didn’t earn the mayoral seat are either woefully uninformed or outright lying.

Bass Reeves, born in 1838 as a slave, became legendary. A powerful lawman in Wild West days, he made history as the first black deputy U.S. Marshal far west. His brave life enforcing the law in the unruly West amazed many. Myths surround Reeves' bold actions in America's turbulent past, yet he is remembere­d for upholding justice. Bass Reeves, an iconic figure, deserves a TV series, unlike reboots or spinoffs. It would not rehash popular tales but unveil untold narratives. Though a Yellowstone Apparel spinoff sounds enticing, Reeves' heroic exploits demand their own spotlight. His life was extraordinary, defining the Wild West culture, lifestyle, and even the Western Outfits of that time like no other. In American history, Bass Reeves stands out as an inspirational figure. He went from being an enslaved worker to a legendary lawman. His life shows how resilient humans can be. Even when facing great hardships, he persevered. Reeves pursued justice for decades in the Indian Territory. His adventures offer a glimpse into a time when justice proved elusive. Bass Reeves' Legacy in the Wild West Reeves' life began in hardship as a slave, but he overcame great challenges. Reeves became a legendary lawman in the American West. His story inspires people from all backgrounds. He showed courage and determination against injustice. Reeves shattered barriers and made history. From humble beginnings, he attained great achievements. Overcoming racism and discrimination, he served with honor. Reeves embodied bravery and justice. His impact still resonates today. He paved the way for future generations. Reeves' resilience in the face of adversity is remarkable. His enduring legacy will never be forgotten. As a child, Bass Reeves faced great struggles. Sold into slavery young, he suffered through bondage's cruelties without losing hope. The Civil War brought a chance for freedom and to serve the Union Army, giving skills vital as a lawman later. Post-war, Reeves settled in Arkansas. He became a U.S. Deputy Marshal, beginning a journey to be one of the most esteemed and feared lawmen in the West. Bass Reeves was a pioneering African American law officer. He broke racial boundaries as the first black deputy U.S. Marshal west of the Mississippi River. With bravery, Reeves tirelessly hunted down wanted criminals. He faced grave dangers apprehending fugitives but upheld justice. Reeves displayed fairness and impartiality in his work. His honorable conduct earned deep respect from fellow officers and citizens alike. Reeves' name represents a remarkable trailblazer in U.S. law enforcement history. Bass Reeves had cool adventures. They became big stories. People talked about them a lot. His stories went into frontier books. He shot fast too. No one could trick Reeves. He was too smart for bad guys. People everywhere loved his stories. They showed how brave he was. They showed he never quit. Reeves always did what was right. Bass Reeves was also skilled at disguising himself. He knew how people acted and could fit in anywhere. Reeves used disguises to get close to criminals and capture them. As a cattle thief or preacher, he tricked bad guys with many clever costumes. All this made Reeves one of the smartest, most crafty lawmen ever. Distinct Setting and Context The 19th century Western America was a place with wide-open opportunities and great risks. Whether across the vast Midwestern plains or rough Rocky Mountains, the West provided a setting where countless pioneers pursued their aspirations and yet faced peril. Bass Reeves lived amidst such huge, unsettled areas and harsh terrains. In that lawless world, order is sometimes lost to brute force. However, through this mayhem, Reeves stood tall as a symbol of justice – a solitary figure holding strong against anarchy. The Indian Territory was a region where different cultures met. There were Native­ American tribes with their customs. However, white settlers kept arriving from other places. Bass Reeves, a deputy U.S. Marshal, had to keep the peace there. This was not easy. He had to understand the tribes' ways and he had to deal with the tough frontier life. Reeves learned a lot in the Indian Territory. It taught him about tribal politics, and it showed him how hard life could be on the frontier. The Wild West had lots of boomtowns and outlaw havens. These places were full of bad behavior and crime ran loose. The law did not count for much there. From Dodge City to Deadwood, these lawless towns drew in outlaws and desperados. They were looking for easy money and life without rules. Bass Reeves worked in some of the worst towns in the West. He faced off against many well-known outlaws there. His brave actions in those lawless places gave him a big reputation. People saw him as a fearless lawman who always got his man. That reputation has lasted until today. Diverse Representation The American West has largely been portrayed as a white-dominated narrative­ in popular culture. This perpetuates stereotypes, erasing the diverse voices shaping the region's history. Bass Reeves' story challenges these conventional Western Outfits narratives. It offers a counterpoint to the prevailing myths of the Wild West. As a black lawman in a predominantly white world, Reeves defied stereotypes and shattered racial barriers. He proved that courage and determination transcend color. Watching characters that resemble them brings a profound, validating experience for colored audiences. Bass Reeves' story grants African American viewers a mirror, reflecting their lives through history's lens. His narrative allows diverse voices amplification, empowering depictions and deepening cultural impact. In centering Reeves' journey as a standalone series, creators wield the chance to celebrate minority contributions, offering meaningful representation. Bass Reeves' career was remarkable. As a Black lawman, he inspired many. By facing difficulties, he proved greatness was possible. Reeves' story deserves its own series. It could motivate youth with role models representing resilience and justice. Strong Character Development Opportunities Beneath a tough exterior, Bass Reeves wrestled with inner struggles. Transitioning from slavery scarred his mind. This impacted how he saw the world and his approach as a lawman. Being a deputy U.S. Marshal was tough for Bass Reeves. He had to chase bad guys and deal with danger. However, every win meant he missed out on family time. His job made it hard to connect with loved ones. A show about Reeves could explore how upholding the law comes at a personal cost. It could look at the sacrifices made to bring justice. Reeves met many people like sheriffs and bad guys. Every chat talked more about who he was deep down. His thoughts, feelings, and mistakes peeked through. A show on Reeves' friendships can show his real self. What made him brave, weak and an interesting person? Independence from Existing Franchise A Bass Reeves TV show allows more freedom than a Yellowstone spinoff tied to existing characters and plots. Creators have a blank canvas to shape their narrative. No need to follow pre-set stories or characters. This offers flexibility and creativity in crafting the series uniquely for Reeves' tale. The show can explore Reeves' world unhindered, without the constraints of an established universe. Spinoffs often face a challenge: being compared to the original show. This overshadows their unique qualities. A standalone series avoids this issue. It establishes its identity, finding its niche without living up to an existing franchise's standards. Without that burden, a Bass Reeves series can take its path, attracting an audience independently. Bass Reeves' life holds a wealth of untold stories. Imagine him stepping out in Yellowstone Western Wear, a weathered Stetson hat pulled low over his eyes, ready to face down outlaws in the dusty streets of a frontier town. As a standalone series, creators can freely explore his adventures. They are not limited by the constraints of a spinoff. Reeves' life is filled with narrative opportunities waiting to be discovered. Focusing just on Reeves allows creators to go deeper into his character, world, and exploits. They can give audiences a fresh view into the legendary lawman and his era. Spinoffs usually have to continue storylines from their parent shows. However, a show just about Bass Reeves can tell new stories in every episode. Each episode will be a full story by itself. Viewers can enjoy it without knowing everything about a bigger universe. This lets writers make great stories that grab viewers' interest. They would not need to worry about keeping up with a bigger series' continuity and lore. Exploration of Justice and Morality Bass Reeves was devoted to upholding law and keeping citizens safe since becoming an officer. His steadfast quest for justice took him through Indian Territory's vast lands. He relentlessly pursued fugitives, determined to capture them. Portraying Reeves' resilience amid hardship, a series could show audiences justice's transformative power and highlight those upholding it with unwavering spirit. The Wild West blurred the lines between good and bad. Right or wrong was hazy and justice depended on viewpoint. Bass Reeves wrestled these gray areas daily, making hard calls testing his ethics. His sense of righteousness faced thorny challenges. Exploring Reeves' moral ambiguity struggles, a standalone show could portray law and order complexities deeply. Justice proved slippery, like outlaws dodging their grasp in that untamed world. Being a deputy U.S. Marshal was difficult. Bass Reeves had to enforce laws. His actions impacted people's lives and justice in the area. A show about Reeves' job could give viewers insight into challenges of upholding law in untamed territories. The series would explore personal costs and moral conflicts Reeves faced as a lawman. Potential for Educational Value Bass Reeves had many adventures when he worked as a lawman in the American West. History books tell facts but shows help us feel the excitement. Shows can build characters we care about. We get pulled into the struggles people faced long ago. What was it like to live back then? The sights, the sounds, the challenges? We glimpse these through well-told tales. Bass Reeves' life offers rich storytelling opportunities. His experiences let us travel in our minds to another era. Shows bring history alive in an engaging, immersive way. Bass Reeves left major marks on America's story but remains largely unknown to most people. A show focused solely on Reeves could introduce many viewers to this forgotten hero. It could honor his triumphs in life's difficulties. Reeves reminds us that many unsung heroes shaped history. Learning about him gives a fuller, more inclusive grasp of the past. Bass Reeves' history highlights issues still faced today. Through racial struggles, justice fights, and perseverance tales, it reflects humanity's trials and triumphs. His path from slavery's bonds to liberty's embrace, clashes against wrongs, and unshakable pursuit of fairness holds timeless wisdom. Depicting this journey in a series sparks thoughtful insights spanning generations. Potential for Cultural Impact Bass Reeves was someone important in the past. His life showed the fight for equality. He is a reminder of justice struggles. An entire show could highlight his courage and fighting spirit. It could inspire people to create change where they live. Reeves proved one person can make a difference worldwide. This gives hope to those still fighting for fairness. Bass Reeves' story goes against the usual way people talk about the Old West. His life shows the problems African Americans faced back then. It reminds us of slavery and unfair treatment. A television show on Reeves could change how we see that time period. It would make people think hard about America's difficult history. The show would not sugarcoat the racism and violence of the Wild West era. Instead, it would give an honest, detailed look at Reeves' experiences as a Black man in those days. Seeing history from his viewpoint is important. It challenges the exaggerated, make-believe stories we often hear about cowboys and outlaws. Bass Reeves' tale shines bright for marginalized folks. It is a beacon of hope; a tale of strength overcoming hardship. From enslavement to freedom, his brave steps left an imprint. Overcoming obstacles, he blazed a trail as a lawman. This source of inspiration shows resilience can conquer adversity. Showcasing his life on-screen empowers communities. It reminds them dreams are possible, however daunting the climb. Reeves' journey as an African American law enforcer inspires generations. His story rekindles the fire within, urging underrepresented people to chase their passions. Bass Reeves lived an incredible journey. As a former slave, he became a famous lawman. Telling his story gives a rare chance to explore­ an amazing figure in American history. The series can follow Reeves' path from slavery to legendary law enforcer. It offers a gripping narrative beyond entertainment. Additionally, by highlighting overlooked parts of the Wild West era, it might challenge typical stories. The series can also educate about cultural understanding and social change.  Bass Reeves' story is not just a tale of the past; it is a timeless saga of courage and determination that continues to resonate with audiences today, inspiring us to confront injustice, celebrate diversity, and strive for a more equitable future.

A couple of well-known New York rappers have taken a stand when it comes to healthcare restrictions. Jim Jones and Jadakiss have taken a stand with healthcare workers protesting the new Medicaid restrictions, which were imposed by New York Governor Kathy Hochul. In January, the 1199SEIU healthcare workers union called out the governor to stop underpaying hospitals on Medicaid claims, according to HipHopDX. Under the current administration, just 70% of all Medicaid hospital bills are paid. Well now, the union is calling for an end to stop this. According to the union, “over seven million New Yorkers rely on Medicaid services, the majority of whom come from Black and Latino communities. Despite the fact that Medicaid provides vital coverage to these New Yorkers, the state pays hospitals 30% less than the actual cost of needed care.” On March 22, Jim Jones and Jadakiss marched in solidarity with the union to the governor’s NYC office, hoping that their high profile would bring attention to the situation at hand. “Special shout out to all the #1199Healthcare workers who show up for the cause today and march to fight for what’s right,” Capo wrote on his Instagram caption, with a video showing the pair marching alongside the healthcare workers. He continued: “The government is only covering 70 percent of Medicaid cost at our new York hospitals n clinics #this 30 percent gap is causing underfunding wit cause the hospitals to b understaffed then eventually havin to close there doors, To prevent this from happening we jeee everyone to let th governor know we need th 30 percent to b implemented immediately. Shouts to @hot97 n @funkflex for keeping th city united when we need it th most @jadakiss.” Hochul in January unveiled a consumer protection and affordability agenda, the first plank of her 2024 State of the State, according to governor.ny.gov. The goal: to amend New York’s consumer laws to strengthen consumer protections against unfair business practices, among other business. “The first plank of the 2024 State of the State is our Consumer Protection & Affordability Agenda – one that combats the effects of illness, disability, unfair business practices and low wages,” Governor Hochul said. “If the last two years have been about putting more money in New Yorkers’ pockets, this year is about keeping it there and that starts with safeguarding people’s hard-earned cash.”

One of the greatest talents to come out of the City of Brotherly Love was commemorated last Sunday. Kevin Hart, who is from Philly, received the Mark Twain Prize for American Humor at a gala performance Sunday at the Kennedy Center for the Performing Arts, according to The Grio. Hart at 44, has mastered his style that combines his height – or lack thereof – with his facial expressions and his personal way of delivering jokes into a successful sand-up act and movie career that spans more than two decades. Hart actually made his movie debut in Hollywood in the 2002 movie “Paper Soldiers” before coming to the mainstream fame through some cameos in classics such 2005’s “The 40-Year-Old-Virgin.” Hart’s movies have grossed more than $4.23 billion globally. Hart has done enough to be honored with the Mark Twain Prize, which is in its 25th year. The award honors performers who have made a longstanding impact on humor and culture. Honorees will get to receive a bronze bust of Tain, who is the iconic American writer and satirist whose name was actually Samuel Clemens. The Mark Twain honorees are commemorated with an evening of testimonials and video tributes, which often highlight previous award recipients. Other comedians that received the lifetime achievement award were George Carlin, Whoopi Goldberg, Bob Newhart, Carol Burnett and Dave Chapelle. Hart embarked on his comedic career as a teenager, performing at venues such as The Laff House in Philly under the name Lil Kev. He said his first performances were epic failures, which included being booed off the stage on multiple occasions, and even having a piece of chicken thrown at him, according to the Associated Press. Still, Hart stuck with it, and honed his signature style. Hart said the launch of the Mark Twain Prize in 1998 with inaugural recipient Pryor coincided with the start of the his comedic career. “To be honored in this commemorative year feels surreal,” Hart said. “Comedy is my outlet for social commentary and observations on life. I am grateful to the Kennedy Center for recognizing my voice and impact on culture.” Photo Credit: DepositPhotos.com

It is no surprise that when Forbes released its 2023 highest-paid actors in Hollywood, the only Black person on the list is arguably the greatest actor of all time. The illustrious Denzel Washington is the only person of color on that list. Still, marginalized groups compared to white counterparts is never a new social justice issue. But because of the public knowledge when it comes to celebrity salaries, it is very hard to turn the head another way when it comes to the substantial differences in pay that Black actors and actresses get. The most noteworthy of that gap is the gender inequalities between actors who identify as men or women. Black actresses make an estimated 64 cents for every dollar white, non-Hispanic actors make, according to the National Partnership for Women and Families. That number increases to 68 cents for Black women producers and directors, according to Yahoo. Taraji P. Henson is a recent example of a renowned actress advocating and highlighting pay discrepancies. In fact, amid the press tour for the musical adaptation of the 1985 film The Color Purple, Henson told the truth about the challenges she faced in the industry. “I’m just tired of working so hard, being gracious at what I do, getting paid a fraction of the cost,” Henson said to TV personality Gayle King in a SiriusXM interview. “I’m tired of hearing my sisters say the same thing over and over. You get tired. I hear people go, ‘You work a lot.’ I have to. The math ain’t mathing. And when you start working a lot, you have a team. Big bills come with what we do. We don’t do this alone. It’s a whole entire team behind us. They have to get paid.” The substantial differences between the different groups make Washington’s presence on the Forbes list even more eye-popping. Obviously, Washington has an accomplished resume as an actor and producer, and, of course, he deserves his accolades and salary. Washington grossed $28 million in 2023, according to Forbes. But his only representation makes the absence of Black actors even more evident. According to Afrotech, actor Terrence Howard felt he’s been lowballed for his work compared to non-POC entertainers. Photo Credit: DepositPhotos.com

The second installment of the thrilling horror anthology series, Them: The Scare, returns in April. Created by Little Martin, the upcoming series will be set again in Los Angeles in 1991 and follows Detective Dawn Reeve, played by Deborah Ayorinde, as she is assigned a new case: following a gruesome string of murders committed by a mysterious killer, played by Luke James. Now trying to find a serial killer with the entirety of Los Angeles on the brink of rioting, Dawn is determined to stop the killer. As she draws nearer to finding out the truth, something ominous grabs ahold of her and her family. The eight-episode series cast also includes Pam Grier (Foxy Brown), Joshua J. Williams (Cloak & Dagger), Jeremy Bobb (The Continental), Wayne Knight (Seinfeld), Carlito Olivero (This Is Me... Now), Charles Brice (Watchmen) and Iman Shumpert (The Chi). Them: The Scare premieres on Thursday, April 25 and all episodes will be available on launch. Check out the trailer below.

Like most industries, Black artists continue to face an uphill battle. From the art admired during the Harlem Renaissance to contemporary works, breaking into a space dominated by white faces and white acceptance has hindered our perception of what art truly is. Photo Credit: Salvatore Demaio Yes, we have prominent artists such as Jean-Michel Basquiat and Kehinde Wiley, but too often Black artists continue to get overlooked compared to their white peers. While the lack of acknowledgment for Black art may persist, it does not mean that our art is going unnoticed in communities that appreciate and honor artists who reflect our stories and evoke deep emotions within us. Artists such as Guy Stanley Philoche know all too well the determination it takes to succeed in a world that does not always embrace him. For over 20 years, Philoche has built a career many artists dream of, freely conceptualizing his art, his way. Born in Haiti, the Harlem, New York resident moved to Connecticut at 5 years old. “I was weird…I was an awkward kid who did not speak English,” Philoche says about his move to the States. “All I wanted to do was find my way through the art world… through the world.” Coming from a Caribbean background, Philoche felt the pressure to follow the path that many had been taught was already laid out for them, influenced by family dynamics, education and religion. “Our option for a career is either a lawyer, a doctor, an accountant, or something in government,” he says about expectations in his community. “Something with a pension, it is all about a pension.” Like many other artists and creatives, the passion felt is loud, and the urge to pursue one's dreams resonates loudly every day. The age-old story of defying societal expectations to follow one's dreams is as timeless as it is daunting, especially within the realm of the arts. For Philoche, the stars aligned in his youth as he immersed himself in cartoons, ultimately learning English through the art form of animation. It was during this time that the creator of New York I Still Love You discovered his innate talent for drawing, marking his first introduction to the world of art. “I went on a class trip to a museum, that is when I fell in love with art,” Philoche says about his early beginnings. Witnessing who Philoche says are masters of art made him understand that he wanted to make art for a living. It wasn’t easy for the Harlem artist to break the news to his strict parents. After graduating high school, Philoche says his mother told him he was “too smart,” and that he had to go to a university or trade school. “I’m 17 years old and I kissed my parents goodbye and left home,” he says about his journey. In hindsight, Philoche understands why his parents tried to steer him clear of choosing an artist's life but that did not happen overnight. Years of resentment took time to heal, but despite obstacles, the fire burned and his passion flourished. “I’m 46 years old…it took a lot of sacrifices,” Philoche says about his career. “When you're an artist, you have to ask yourself, ‘What are you willing to sacrifice to get into this career?’ You have to take these big gambles and these big risks,” he explains. “It gets harder and harder to take those gambles and those risks… but then again, it's like art chose me.” Being chosen by art has led Philoche to become one of the most in-demand artists of this generation. His latest series Give Us Our Flowers, is a collection of portraits where Philoche mirrors the beauty of the Black community. “To this day, when I walk into museums, I don't see portraits of us. It was important for me to show us in a light where we're not just entertainers, criminals or athletes,” Philoche says. “We are more than that. We're doctors, lawyers and educators. We're Judges…it's really important to show us in those types of atmospheres like everyday people.” Inspired by a friend's death, Philoche began the series after wishing his friend received his flowers before his passing. “I attended his funeral. I saw all the love that people were sharing about his stories… How they wish they told him he was a great father, a great lawyer,” Philoche explains. “I'm in my studio and I just started drawing his portrait… the next thing you know, I told myself I am going to give him his flowers.” Give Us Our Flowers has been a huge hit in the art world. Philoche began the year with two big shows, one in New York City and the other in Los Angeles. The acclaimed artist is racking up fans throughout the world, including Bruce Lurie, Owner of Lurie Gallery. “I’ve been following the works of Guy Stanley Philoche for about 10 years now. We’ve also become good friends, though I only really see him at art fairs,” Lurie says of his admiration for Philoche. “I’m so impressed with this new body of work he developed over the past few years. The work captures every day life of African American kids and youth that always puts a smile on my face. His photorealistic playful scenes are provocative and enlightening, always portraying positivity in daily life activities." The success of Philoche’s career continued when The Gates Foundation acquired the "Nope Not Today" painting and Delta acquired the "Yes We Can!" painting from Give Us Our Flowers. In addition, the “Wall Street” painting from his series "New York I Still Love You" was just acquired by DV Trading as part of their corporate collection. For Philoche, his mission has remained the same after 20 years in the industry. He wants spectators to see themselves. To feel. To be inspired. “I want the viewers to focus on the portraits. I want them to see themself in the works,” he says. Photo Credit: Salvatore Demaio

Paying it forward and kindness from the heart is still a thing in 2024 thanks to one rapper from Chitown. Rapper Vic Mensa is keeping his commitment with a generous donation to a small business, Da Book Joint, which he visited a few weeks ago, according to Yahoo. The rapper visited the bookstore, which is a local Black-owned store, back on March 13 to personally hand them a check for $7,200 to ensure the doors of the brick-and-mortar business remain open. The money was from the artist’s cannabis brand known as 93 Boyz, which is Chicago’s first Black-owned marijuana brand that is available for public consumption. According to AfroTech, the $7,200 donation will cover the rest of the storefront’s 2024 monthly rent. Founded in 2007 by co-owners Verlean Singletary and Courtney Woods, the Southside of Chicago’s main purpose is to help kids grow their literal muscles and give them a safe place to enjoy a good book or two. The store offers a wide variety of books and hosts several events. These include their annual book fair, which features free books and school supplies. Additionally, they hold book club meetings for the Chicago chapter of the NoName Book Club. Another popular event is Book and Brunch, where attendees enjoy a catered breakfast and engage in discussions about books. Participants also receive a free publication to take home, catering to kids, youth, and adults alike. Customers can also book three different sessions for their time at the bookstore, including Shop & Read for $1, Date Night Session for $50 and Shop and Read with Snacks for $30. Showing appreciation for Mensa’s unexpected contribution was the bookstore’s ownership, who posted pictures on Instagram of themselves and the activist with the huge check in an effort to thank him, as well as share the news with their supporters. “Hey family! This has officially been the best Wednesday ever! We are thankful. We are honored. We are grateful. We are truly living a dream right now,” the caption read. “Thank you so much to @vicmensa and his entire @93boyz team for blessing us today by covering our rent for an entire year. Thank you for seeing our mission and helping us stand in our purpose. You are that breath of fresh air we needed. His generosity ensures our doors stay open for all book lovers and dreamers. This act of kindness touches our hearts deeply and reaffirms the power of community and support.” It continued, “Thank you, Vic Mensa, for lighting up our world with hope and generosity! 📚💖 More official photos and videos coming! We can’t wait for you to see the phenomenal interview we filmed today!” Photo Credit: Da Book Joint Instagram

An organization at a familiar university in Philadelphia is doing all it can for Black men to become doctors. It’s a student organization. Specifically, it’s called Black Men in White Coats. And it’s happening at Jefferson University’s Sidney Kimmel Medical College, among other colleges, too, according to CBS News. "With the intention of trying to increase the number of Black men going into the field of medicine," medical student Kevin Carolina said. "It's a very challenging journey, and it's a journey that does require a lot of assistance." Carolina is actually a founding member of the organization. "I see the impact the lack of diversity has on health outcomes within people that look like me," he said. According to the CDC, Black folks have high rates of disease, health complications and death. And a part of that is blamed on a historic lack of trust in white doctors, thus not being able to find Black medical professionals. According to the Association of American Medical Colleges, diversity is improving. But only 5% of doctors are Black. "Although our numbers are rare within medicine, we're working to improve that and up those numbers as well," medical student Nathan Delacth said. Delaeth is a member of Black Men in White Coats, too. "When I was younger, I never had any role models who looked like me," he said. These future Black doctors train in a simulation lab, supporting one another. And they hope to inspire more Black men to become doctors and help those in need. "We're hoping to enact change within the school itself, bringing more Black students to the school as well but also creating change within the community," Delacth said. These good Black men go to underserved communities with items such as screening checks. Additionally, this group is working to improve access to better healthcare for Black neighbors. “Ultimately, we want to uplift Black voices,” Delacth said. According to the website, the mission is the following:  “Black Men In White Coats seeks to increase the number of Black men in the field of medicine by exposure, inspiration, and mentoring. To accomplish this, we are partnering with various medical schools across the country to produce outstanding short documentary videos which brings awareness to this issue that not only affects the Black male population, but also the nation as a whole.” Photo Credit: Black Men in White Coats Facebook

A park in Alabama will allow people to visualize and have “an immersive experience” of slavery and centuries-old struggles of Black folks in America. According to NBC News, Freedom Monument Park will host 17 acres of the experience just above the Alabama River, which was a primary route to transport enslaved Africans amid the slave trade. The park will open next week. It will be near two other creations, which are led by Civil Rights attorney and renowned social justice activist, Bryan Stevenson. The park will feature “an awe-inspiring Memorial to Peace and Justice, an open-air site that has 800 columns suspended from above, evoking public square lynchings, and the Legacy Museum.” Just a few miles in downtown Montgomery, that site uses interactive elements that tell the story of the “devastation of slavery, Jim Crow, violence, and mass incarceration.” The sculpture park, the third addition, humanizes the experience of the enslaved person living on a plantation. It will have a centerpiece of the park that will be a 100-by-40-feet foot monument to freedom, which is angled like an open book, listing close to 100,000 known surnames of folks who were emancipated in 1865. The monument is called the first of its kind to recognize the more than 10 million Black folks who were enslaved in America. In an interview with NBC News, Stevenson said he had no interest in visiting plantations, but once he finally did, his experience was revelatory, and it triggered an important act. “I was intrigued by the authenticity of those places,” he said of the plantations. “And I thought about whether we could create a space like that, centered on the lives of enslaved people and tell this history.” Stevenson also founded the Equal Justice Initiative, which helped free more than 140 death row inmates who were wrongfully convicted. He said the main house on the plantations was so pronounced that it “marginalized” the slave dwellings. “And so, creating a space like this that has some historical significance, and then building a kind of a narrative around this land was the objective,” he said. “And we see this as a place to have a deep, immersive engagement with the legacy of slavery, and primarily the lives of enslaved people, so we can have a deeper understanding of that. ... It’s about humanizing it.”

A recent report released by the U.S. Department of Justice indicates that Tennessee is experiencing a faster growth rate in its prison population compared to most other states. The report revealed that between the end of 2021 and 2022, Tennessee witnessed an almost 8% surge in its incarcerated population, resulting in 1,740 additional individuals being held in state prisons. MAX Original's newest documentary series, Justice, USA, explores what really goes on behind the doors of prisons in Nashville, Tennessee. Justice, USA, filmed over seven months, delivers a chilling reality that addresses the pervasive issues of poverty and juveniles caught in the system, while also confronting the mental health and addiction challenges that incarcerated individuals grapple with daily. The documentary depicts the unfiltered side of the justice system, a perspective often absent in other documentary films, giving audiences a look into Nashville courts and jails. Each episode provides viewers with direct insights from the individuals comprising the system, including inmates from both the men's and women's jails, as well as the juvenile court. Access to the courthouse was granted with minimal restrictions giving viewers an intimate look at trials and proceedings. Notably, the documentary refrains from featuring narrators or experts, contributing to its authentic and immersive appeal. Davidson County’s Juvenile Court Judge Sheila Calloway even agreed to participate in the series because she wanted to shed light on the realities within her courtroom. "I see blurbs and stuff that say Judge Calloway is just giving people cookies and milk and sending them on their way when they don’t understand exactly what we can do as the law and what we should do," Judge Calloway said. Mike Tollin, Common and Marshall Goldberg are executive producers while Randy Ferrell served as the showrunner. As the series wraps, the message is clear that the documentary wants to prioritize the community and state of Tennessee to prioritize homelessness, mental health and those who need help with addiction. All episodes of Justice, USA are now streaming on MAX. Check out the trailer below. Photo Credit: Warner Bros. Discovery

Major League Baseball is trying to improve the number of Black players in the game through its youth pipeline. The program started in 2018, predating the establishment of the DREAM Series by MLB, which marked the first time Black players were showcased in front of scouts and coaches. The goal: to display and show off skills in a competitive environment. The dream happened for Lee Allen Jr. in his hometown of Kansas City, Missouri. And now, four years later, hundreds of HBCU standouts played at the MLB’s Andre Dawson Classic, which is a collegiate tournament for players hoping to play in the major leagues. The goal is to usher in a “new generation of African American stars,” according to NBC News. “Being able to be out here and showcase my talents in front of these scouts and other guys who’s looking at us at the next level,” said Allen, now a junior infielder for the Panthers, “it feels great for me because I know that those are goals that I can reach, and they’re there.” This is MLB’s aim, because right now it is facing historically low numbers when it comes to Black players in the MLB. According to The Institute for Diversity and Ethics at Central Florida, African American players were just 6.2% of players on MLB opening day rosters back in 2023, which is down from 7.2% in 2022. And both numbers were the lowest since the study was first conducted back in 1991, when just 18% of players were Black. Additionally, that’s also the lowest percentage of African American participation in four of the five major professional sports: NBA, NFL, MLB and MLS. In the National Hockey League, 90% of the players are white. But the MLB has tried to swing for the fences when it comes to attracting Black talent through a series of grassroots diversity initiatives. “We are really doubling down on what we’ve done,” said Del Matthews, MLB’s vice president of baseball development, “because we are producing kids that are going to college, that are getting internships within the sport. We see more kids playing at the Division I college baseball ranks, and we see more kids being drafted into the minor leagues. And so we’re just flooding that through the various programs that we’ve had.” The MLB’s pipeline starts with a yearly tour of pro-style camps in various cities across the country to spot baseball potential among inner city kids. The tour has grown each year from 12 stops in 2018 to 18 cities today. The pipeline targes kids 13-14 years old, just before high school. The goal is to send these players to advanced development programs where they can get several repetitions playing competitive baseball, mostly cost-free, while creating relationships with pro scouts and former major league baseball players. “The sport has gotten so expensive that it has eliminated a lot of our kids,” said Jerry Manuel, a former manager for the White Sox and Mets. “So we’ve got to do everything we can to get them back in the pipeline.”